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Maestrissimo is an «allegro e molto vivace» show, which comes halfway between a chamber concert, satirical comedy, and a portrayal of the times. In sheer Yllana style, it illustrates the adventures and misfortunes of a string quartet round about the 17th and 18th centuries (Baroque and Neoclassicism).A supporting-act musician —a nobody, but with immense talent— seeks to climb the ladder and achieve the title of maestrissimo. Will his talent and brilliance be enough to make a name for himself in…

MAESTRISSIMO is a comedy-musical show that depicts the adventures and misfortunes of a string quartet during an undefined period between the 17th and 18th centuries (between the Baroque and Neoclassicism). We will be the witnesses of this masterful quartet in their efforts to get by, at a time when artists had no greater regard than a gardener or chef. The musicians, in order to survive, had to give in to the wishes and whims of those for whom they worked,…

Maestrissimo is an «allegro e molto vivace» show, which comes halfway between a chamber concert, satirical comedy, and a portrayal of the times. In sheer Yllana style, it illustrates the adventures and misfortunes of a string quartet round about the 17th and 18th centuries (Baroque and Neoclassicism). A supporting-act musician —a nobody, but with immense talent— seeks to climb the ladder and achieve the title of maestrissimo. Will his talent and brilliance be enough to make a name for himself…

Maestrissimo is an «allegro e molto vivace» show, which comes halfway between a chamber concert, satirical comedy, and a portrayal of the times. In sheer Yllana style, it illustrates the adventures and misfortunes of a string quartet round about the 17th and 18th centuries (Baroque and Neoclassicism). A supporting-act musician —a nobody, but with immense talent— seeks to climb the ladder and achieve the title of maestrissimo. Will his talent and brilliance be enough to make a name for himself…

Maestrissimo is an «allegro e molto vivace» show, which comes halfway between a chamber concert, satirical comedy, and a portrayal of the times. In sheer Yllana style, it illustrates the adventures and misfortunes of a string quartet round about the 17th and 18th centuries (Baroque and Neoclassicism).A supporting-act musician —a nobody, but with immense talent— seeks to climb the ladder and achieve the title of maestrissimo. Will his talent and brilliance be enough to make a name for himself in…